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Highlight
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RSSLatest news, features and DVDs
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BFI Flare 2018 full programme revealed
The 32nd edition of BFI Flare: London LGBTQ+ Film Festival opens with the UK premiere of My Days of Mercy and closes with the European premiere of Postcards from London.
Wednesday 21 February 2018
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The Green Fog Berlinale first look: Guy Maddin’s giddy San Francisco remake
The Manitoba maestro has conjured a surreal, sharp city symphony out of thousands of film clips and the spine of his beloved Vertigo, writes Geoff Andrew.
Wednesday 21 February 2018 -
The Touch: Ingmar Bergman’s most misunderstood masterwork?
Bergman’s little-seen English-language film, which charts the course of a doomed affair, earned mixed reviews on release in 1971 and was quickly overshadowed by his subsequent works – but it’s time to recognise it as a major entry in the director’s canon, writes Geoff Andrew.
Wednesday 21 February 2018 -
Unsane Berlinale first look: an experiment in paranoia
Steven Soderbergh emerges from his self-imposed retirement with an iPhone-shot psychological horror for the post-Weinstein age, starring Claire Foy as a woman driven to the brink by a stalker, writes Nick James.
Wednesday 21 February 2018 -
Where to begin with Sam Peckinpah
Your next obsession: the bloody brilliance of Sam Peckinpah
Wednesday 21 February 2018 -
Five reasons to watch desert-war thriller Ice Cold in Alex
As tense as The Wages of Fear, and featuring cinema’s most refreshing beers, here’s why the perilous wartime adventure Ice Cold in Alex is worth your attention.
Tuesday 20 February 2018 -
A film-by-film guide to Mike Leigh’s London... then and now
On his 75th birthday, see how the London locations for some of Mike Leigh’s best films have changed since he shot there.
Tuesday 20 February 2018 -
Glasgow Film Festival 2018: 10 films to look out for
A selection of cinematic highlights to help you get stuck in to this year’s Glasgow Film Festival.
Tuesday 20 February 2018 -
Berlinale 2018 midway round-up: how do you follow Isle of Dogs?
Some duds in (and out of) the competition are par for the course at the Berlin Film Festival, but there have been surprises both deft (Marcelo Martinessi’s The Heiresses, from Paraguay) and outré (Rupert Everett’s Oscar Wilde project) – and some excellent candidates for the acting prizes, writes Nick James.
Tuesday 20 February 2018 -
Transit Berlinale first look: Europe’s past is now in Christian Petzold’s purgatorial palimpsest
The German director’s follow-up to Phoenix shadows a runaway from the Third Reich in modern-day Marseille to conflate the continent’s moral failings past and present, says Giovanni Marchini Camia.
Tuesday 20 February 2018
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