On the writings of Renaud Camus.
On the writings of Renaud Camus.
On a postcolonial Aida.
On A Century of Fiction in “The New Yorker”: 1925–2025, edited by Deborah Treisman.
On the great English architect Sir Edwin Lutyens.
On the “year of Cézanne” in Aix-en-Provence.
On talks at the Frick, Gilbert & Sullivan, All Shall Rise, pigeons & more from the world of culture.
On the writing of C. S. Lewis.
On Paul Auster’s translation of the French aphorist.
On Buena Vista Social Club, Vanya & Operation Mincemeat.
On “Myth and Marble: Ancient Roman Sculpture from the Torlonia Collection,” at the Art Institute of Chicago.
On “Neue Sachlichkeit / New Objectivity,” at the Neue Galerie, New York.
On “Gustave Caillebotte: Painting Men,” at the Getty Center, Los Angeles.
On “Revoir Cimabue: Aux Origines de la peinture italienne,” at the Louvre.
On recent musical performances in New York.
On the perpetrator-versus-victim worldview.
On newly released fiction by Yukio Mishima, Mark Haber, Christopher Bollen & Cynthia Weiner.
On Open Socrates: The Case for a Philosophical Life, by Agnes Callard.
On The Great Siege of Malta, by Marcus Bull.
On Fewer Rules, Better People: The Case for Discretion, by Barry Lam.
On True Conservatism: Reclaiming Our Humanity in an Arrogant Age, by Anthony T. Kronman.
Notes & Comments
A mission of guilt
by the Editors
On the West’s latest self-flagellation.
Marco Grassi, 1934–2025
by the Editors
On The New Criterion’s longtime friend & contributor.