Click here for
Copyright / Usage Policies

Ho-Oo, Hou-ou, Ho-o, Hoo
Asian Phoenix (Feng Huang in China)
Ho represents male, yang, solar
Oo represents female, yin, lunar

One of the Guardians of the Four Directions (Japan)
Mortal Enemy of Serpents and Dragons
Often depicted together with the Dragon

  Origin: China

Last Update: August 1, 2004
(see photo at bottom of this page)


Phoenix, Image from Imari Porcelain ware
Photo courtesy Nihon Toji Taikei, Vol. 19 (Imari Ware)
Purchase this publication at online bookstore (outside link)


Phoenix Drum, found in the Engaku-ji Bell Tower in Kita-Kamakura

In Japan, as earlier in China, the mythical Ho-oo (Asian Phoenix) was adopted as a symbol of the imperial household, particularily the empress. This mythical bird represents fire, the sun, justice, obedience, and fidelity. It is one of the four celestial guardians of the four directions (south).

According to legend (mostly from China), the Ho-oo appears very rarely, and only to mark the beginning of a new era -- the birth of a virtuous ruler, for example. In other traditions, the Ho-oo appears only in peaceful and prosperous times (nesting, it is said, in paulownia trees), and hides itself when there is trouble. As the herald of a new age, the Ho-Oo decends from heaven to earth to do good deeds, and then it returns to its celestial abode to await a new era. It is both a symbol of peace (when it appears) and a symbol of disharmony (when it disappears). In China, early artifacts show the Phoenix (female) as intimately associated with the Dragon (male) -- the two are portrayed either as mortal enemies or as blissful lovers. When shown together, the two symbolize both conflict and wedded bliss, and are a common design motif even today in many parts of Asia (see below).

In China, the Feng Huang (Chinese Phoenix) was believed to control the five tones of traditional Chinese music and to represent the Confucian virtues of loyalty, honesty, decorum and justice. Its image first appears on Shang artifacts of China's Western Zou Period, about 3,000 years ago. In Japan, Phoenix symbolism has been confused and merged with that of the "Red Bird ("Suzaku" in Japan). The Red Bird is one of the four legendary Chinese creatures guarding the four cosmic directions (Red Bird-S, Dragon-E, Tortoise-N, and the Tiger-W). In Japan, moreover, tiger symbolism seems to have merged with that of the mythical Kirin. And don't forget the fifth direction, the center (i.e., China, the "Middle Kingdom"). Please visit the Ssu Ling (Shinin) page for more on the four legendary Chinese celestial guardians, or click here for more on Phoenix lore in China.

The Asian Phoenix should not be confused with the Phoenix found in Egypt and Greece -- that is a bird of completely different feathers and traditions. The Arabian-Western Phoenix, if you recall, is a solidary creature -- only one of its kind. When it dies, it dies in flames, and from the ashes is born the next phoenix. Click here for background on the Egyptian and Greek phoenix.

Above: Design on Edo-Period bowl
(at the online store of blueandwhiteamerica.com)
The phoenix is typically shown with spread wings,
in the act of attacking "naga" with its strong claws.
 Skt. "NAGA" means all serpentines, snakes, and dragons.

Above Photo: Heian Era, 11 Century, Byodo-in Hall in Kyoto
From early times (by at least China's Han Period),
 the Ho-oo was depicted as a male-female pair facing each other.

The phoenix is ofter paired with the dragon as well,
representing both conflict and wedded bliss
Above Photo: Hall of Heavenly and Terrestrial Union (China)
Ornamental door design of Phoenix (Empress) and Dragon (Emperor)
 Courtesy www.kiku.com/electric_samurai/virtual_china/beijing.html

CHINESE LORE
tina.garnet.nu/eiko/
misc/eidolons2.htm
Feng, the Chinese phoenix, had the head of a pheasant, the tail of a peacock, the Five Cardinal Virtues inscribed on its body, and the most enchanting song of any bird. Feng was associated with the primordial forces of the heavens and was also the bringer of good fortunes, and visions of the phoenix god were were omens of great luck in the near future. Long (Dragon, East, Water) and Feng (Phoenix, South, Fire) are most often depicted as enemies because of their opposing elements (water and fire). Several Chinese folktales center around the clash between the phoenix and the dragon. However, they're also depicted as partners. Long is the male counterpart to the female Feng, and together they can symbolize both conflict and wedded bliss.

South - the Red Bird
"Phoenix" is used as a translation for Feng, or Feng Huang, the sacred bird of Chinese mythology. It has many miraculous attributes, but not self-rejuvenation, and does not posess the Arabian phoenix's propensity for self-immolation. It is usually portrayed as a beautiful bird, virtually identical to an ornamental pheasant. Few illustrations match its verbal description, as it is said to have the front of a swan, the hinder parts of a unicorn, the throat of a swallow, the bill of a chicken, the neck of a snake, the stripes of a dragon, and the arched back of a tortoise.

Its plumage is of the five mystical colours - black, white, red, green and yellow, and it has twelve tail feathers, execept in years when there is an extra month, when there are thirteen. It feeds on bamboo seeds, lives in the branches of the dryandera tree, and drinks from fountains of fresh water.

It is one of the four emblems of royalty, usually associated with the Empress. The expression "Dragon and Phoenix" signifies wedded bliss. In many respects its symbolism has been confused and merged with that of the Red Bird, one of the four Celestial Emblems (Walters)."

http://www.sempai.org/~felicia/myth.html
Above exerpts from Derek Walters "An Encyclopedia of Myth and Legend: Chinese Mythology" and Donald A. Mackenzie "Myths of China and Japan."

Unconfirmed Research
The Asian phoenix is said to descend from the clouds only when a virtuous ruler is born. It then alights only on the paulownia tree (though it feeds on bamboo seeds). The paulownia is a real tree that bears fragrant purple flowers, often depicted as white.

PHOENIX HISTORY, CHINA
http://www.fenice.com/phoenix.html
If we look at the Shang ritual cups and bronze decorations of the Western Zou period (around 3,000 years old) we find the images of five animals often repeated: the lion, the fish, the deer, the dragon and the phoenix.

The lion and the fish have origins in Buddhist icons, while the other three are often found together, such as on the inside of the coffin of the wife of the Marquis of Dai (2,200 years old). The four animals dragon, tiger, unicorn (or deer) and phoenix are called "si ling" in Chinese, and with the passage of time other animals such as the snake and the turtle were added to this group of animals to be worshipped.

Right from the earliest representations the phoenix has been shown with spread wings, often in the act of attacking snakes with its strong claws. During the Han period, 2,200 years ago, the Phoenix was used as a symbol to indicate the direction south, and was often shown in a pair of facing male and female birds. It may also be found paired with the dragon, in which case the dragon represents the Emperor and the phoenix the Empress.

An interesting difference between the way the dragon and the phoenix are shown in decorations is that the dragon is used to fill all the space available on a vase for example, while the phoenix is used to fill specific space in the decoration such as around trees, rocks, and flowers.

The symbol of the Fenice has been used on objects in China, often in jade, for over 7,000 years, originally on good-luck totems, and then, from around 2,000 years ago to represent power sent from the heavens to the Empress.

A phoenix used to decorate a house showed loyalty and honesty in the people who lived there. The phoenix was believed to control the 5 tones of Chinese music and to represent the Confucian virtues of loyalty, honesty, decorum and justice.

Considering the importance of this mythical bird, it was inevitable that it would also be used to decorate tombs and graves. The right to wear jewellery showing the phoenix was reserved for important people, and showed that the wearer was a person of high moral values. 

Copyright Mark Schumacher. Email Mark.
All stories and photos, unless specified otherwise, by Mark
www.onmarkproductions.com