Arab. arch. epig. 2013: 186–195 (2013)
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Palaeography of the Ancient South Arabian script.
New evidence for an absolute chronology
The chronology of the Ancient South Arabian civilisation in the first millennium BC
has always been based on palaeography. In the past, however, palaeographical comparison of the extant inscriptions was in fact the only reliable tool for historical reconstruction of that period; absolute dates were confined to the alleged synchronism of
the Sabaean ruler Karibʾil Watar in Assyrian sources in the early seventh century BC.
Only recently have some Ancient South Arabian inscriptions come to light, which are
dated according to an absolute (foreign) era and thus allow us, for the first time, to
determine the absolute date of a particular ductus of the script in that period. Furthermore, the radiocarbon analyses of a number of inscribed wooden sticks from ancient
Yemen have helped to establish a reliable chronology for this particular type of documentation as well (see Drewes et al., this volume). Based on this new evidence, the
paper gives a general overview of the development of the Ancient South Arabian
script from its emergence in the late second millennium BC up to the latest instances
in the mid-sixth century AD. The different periods of both monumental and minuscule variants of this script are characterised by representative examples of established
chronology in order to provide some reliable cornerstones for dating epigraphic material from pre-Islamic Yemen.
Keywords: chronology of Ancient South Arabia, Ancient South Arabian script,
palaeography, monumental script (musnad), minuscule script (zabur)
Irrespective of an altogether fairly long tradition of scientific research, the penetration of central aspects of Ancient
South Arabian epigraphy has been rather long in coming.
Although the first inscriptions from pre-Islamic Yemen
were discovered 200 years ago, their script was entirely
deciphered only in the 1870s.1 That the script of these
stone and rock inscriptions was only one (and probably
the smaller) part of South Arabian writing culture was
detected again only 100 years later by the discovery of
everyday correspondence on wooden sticks. Likewise, the
chronological framework of the written evidence had been
disputed by generations of scholars, resulting in the establishment of two main chronologies, a ‘long’ and a ‘short’
one, and consequently in rather diverging proposals for
the starting point of Ancient South Arabian civilisation
1
For early research history in this field see Stein, forthcoming.
186
Peter Stein
Friedrich-Schiller-Universität
Jena, Theologische Fakultät,
F€urstengraben 6, 07743, Jena,
Germany
e-mail: peter.stein@uni-jena.de
either in the early or in the mid-first millennium BC. These
two chronologies, which influenced historical research
over decades during the past century, were mainly based
on two palaeographical ‘systems’: that of J. Pirenne
(1956) and that of H. von Wissmann (mainly 1976 and
1982).
Although the so-called ‘long’ chronology has meanwhile prevailed, neither the starting point of Ancient
South Arabian writing culture nor the exact chronology
of its early development could so far be determined. The
only anchor in absolute chronology for the entire first
millennium BC had been the alleged synchronism of the
Sabaean Mukarrib Karibʾil Watar in the early seventh
century BC (see below, phase B). All periods prior or
after this particular ruler (up to the turning point of the
Christian era) had only loosely been structured by means
of internal chronology, almost exclusively based on pal-
PALAEOGRAPHY OF THE SOUTH ARABIAN SCRIPT
aeographical comparison of the extant inscriptions. The
historical framework resulting from this internal chronology, as established by von Wissmann (1982) and nowadays widely accepted by the scientific community, has
served as the main tool not only for dating inscriptions
and the historical events mentioned therein, but also to
determine the emergence of Ancient South Arabian civilisation (at least as far as its identity in written sources is
concerned) about the (early) eighth–ninth century BC.
In the past few years, however, a number of entirely
new data have come to light, which enable us not only to
redefine the starting point of Ancient South Arabian writing, but also reliably to fix the internal chronology of the
first millennium by clear absolute dates for some palaeographically representative inscriptions. One part of this
evidence is the correspondence on wooden sticks, a material that is essentially ready for radiocarbon analysis and
has revealed particular data for the very early phase of
writing. The other is formed by some recently published
monumental inscriptions, which contain foreign dating
formulae. These absolute dates in the Seleucid and the Nabataean eras, respectively, allow us for the first time reliably to assign the palaeographical ductus of particular
inscriptions from the first millennium BC to a certain year.
These spectacular new findings give reason enough to
reconsider the entire chronological framework of the
Ancient South Arabian script.
In order to give a representative picture of the development in its entirety, the generally much better documented
post-Christian periods are described rather comprehensively, exhibiting the ductus of selected inscriptions of
established date, separated from each other by about two
centuries. We thus get a sequence of a particular ductus of
the monumental as well as the minuscule scripts, which
illustrates the palaeographical development of the Ancient
South Arabian script overall in fairly regular stages of
200–300 years. Proceeding from a particular inscription,
the date of which is more or less certainly established, the
main characteristics of each stage in the palaeographical
development will be outlined. This description accompanies facsimile illustrations of the particular letter forms
from the inscriptions in question (Figs 1–2).
The Ancient South Arabian script: monumental and
minuscule
The so-called Ancient South Arabian script, consisting of
twenty-nine consonant letters, was in use in the southern
part of the Arabian Peninsula from the late second millen-
Fig. 1.
The development of the Ancient South Arabian monumental script.
nium BC up to the late sixth century AD, just before the
arrival of Islam. Although a close connection with the
Northwest Semitic scripts in Ugarit and Palestine is
beyond doubt, the actual genesis of the South Arabian
alphabet has not yet been revealed. For a long time it was
commonly accepted that the use of script in South Arabia
arose, quite suddenly and in a rather elaborate way, in the
eighth, perhaps even the ninth century BC, without any
visible traces of primitive development or derivation. The
earliest known inscriptions, written on stone blocks or
rock surfaces, present themselves in a perfectly developed
shape, which had only gradually to be improved towards
the ‘classic’ style of the great monumental inscriptions
under the Sabaean ruler Karibʾil Watar in the early seventh
century BC. Apart from some isolated words painted on
pottery from the late second millennium — their actual
relation to the later stone inscriptions could not be clarified
187
P. STEIN
script was incised with a pointed style, a practice that is
known from wax tablets in the ancient world. Applied to
wood, however, this method of writing is unique in the
ancient Near East and beyond. A first comprehensive
investigation of the palaeographical development of this
particular script was published by J. Ryckmans in this
journal more than ten years ago (2001). The essential
accuracy of his relative chronology would fortunately
later be proved by the radiocarbon analysis of representative sticks. It is very fortunate that the publication of
these analyses coincides with that of the present paper
(Drewes et al., this volume).
It is important to know that both types of script are
almost completely restricted to a particular writing support: the cursive script to the wooden sticks and the monumental script to all other material. The cursive script
occurs randomly on rock surfaces or stone objects, perhaps the result of a scribe writing when the mood took
him.2 The wooden sticks, however, are exclusively
inscribed with the cursive script, with no single instance of
any use of monumental letters on them.3 Since the monumental script has been known for a much longer time, we
will begin with this.
Fig. 2.
The development of the Ancient South Arabian minuscule script.
— thus far there was no evidence of any primitive development in the South Arabian script.
Only in the 1970s did the first evidence of everyday
correspondence from Ancient South Arabia come to light.
Unlike the inscriptions on metal or stone known so far,
this correspondence was written on wood — in the form
of cigar-like sticks, cut from palm-leaf stalks or branches
of other kinds of wood. Thanks to radiocarbon analysis,
the oldest pieces can be dated to the earliest phases of
Ancient South Arabian history and thus fill in the gap
that was left by other epigraphical remains. These
inscribed sticks comprise all kinds of legal and business
documents, correspondence, oracular requests and even
school writing exercises. These handy sticks are the most
easily prepared writing material imaginable. Just cut off
the tree, the wood is ready to be inscribed immediately,
without any further preparation of its surface (apart from,
in some cases, stripping off the bark around it). The
188
Palaeographical development of the monumental
script (Fig. 1)
The specimens of letter forms presented in the table here
(Fig. 1) are drawn from particular authentic inscriptions.
Each column represents a characteristic example of a certain chronological period, separated from each other by a
span of 2–4 centuries. Since the letter forms are taken
from particular inscriptions, not all positions could be
filled in, leaving some gaps for one or other letter in a certain period. The classification of the periods was made on
a practical basis, by naming the main phases of Ancient
South Arabian history (called Early, Middle and Late Sabaic) simply by the capital letters B, C and D. The letter A
stands for the oldest phase of the script, called ‘archaic’. It
should be emphasised that this classification system is not
compatible with other systems in the older literature, such
as those of H. von Wissmann and J. Pirenne, mentioned
above; similarly, any confusion with the chronologically
2
For the few instances, see the references in Stein 2010: 18 n. 15;
47 n. 204 (for ThUM 34).
3
That the minuscule script in its earliest phases clearly resembles
the letter forms of the monumental script is self-evident, due to the
common origin of both types of script.
PALAEOGRAPHY OF THE SOUTH ARABIAN SCRIPT
different phases of the minuscule script should be
avoided.4 As for absolute chronology, spectacular new
data is presently available for the phases named C1 and
C2. The particular inscriptions are dated to a foreign era
and thus allow, for the first time, an absolute dating of the
Ancient South Arabian script in the second half of the first
millennium BC.
A1: the oldest instances of Ancient South Arabian script
are painted pottery sherds from Raybun in Ḥaḍramawt,
which are commonly dated to the late second millennium
BC.5 These contain isolated words (proper names) or even
single letters, so that it has been impossible to determine
the language behind them. The connection of these isolated
items with the much more elaborate inscriptions of the following periods had remained unclear for a long time. Only
the consistent sequence of the minuscule script in the early
period (see below) could substantiate the assumption of an
unbroken continuity between these early letter forms and
the writing ductus of the following stage A2.
A2: the second column in Figure 1 contains samples of
the letter shapes of several inscriptions that are certainly
later than those under A1, but palaeographically older than
the following period B.6 The actual age of these forms is
not firmly established; traditionally they have been dated
up to a few generations before Karibʾil Watar, hence into
the eighth, perhaps even the (late) ninth, century BC (von
Wissmann 1982: 145–147). They just fill in the gap
between the early sherds from Raybun (phase A1) and the
‘classical’ period c.700 BC (B), and may thus be attributed
4
As long as there is no direct chronological correlation between
the palaeographical phases of monumental and minuscule script,
they should not be numbered by the same system. Since a convincing numbering system (with Roman numbers) was established for
the minuscule script by J. Ryckmans, we prefer an alternative classification system by letters for the monumental script. These letters
must not be confused with the classification of the early South Arabian script by J. Pirenne (1956), who distinguished her phases of the
script of the first millennium BC by the letters A–E and respective
subcategories.
5
For the evidence and its dating, see Sedov 1997: 43–47 and 94–95.
—The ceramics found in Yala, a small site not far south of the
Sabaean capital Marib, which are usually referred to as a chronological parallel to the early Raybun pottery (see e.g. Simpson 2002:
157), are in fact of much later date (in his publication Garbini
[1992] speaks of a span between 850 and 580 BC, given by radiocarbon data). The particular script these sherds are incised with
forms not part of the earliest traces of writing in South Arabia, but
rather resembles an advanced stage of the minuscule script (phase
II, see below).
6
The examples are collected from different inscriptions (Pirenne
1956: pl. II and table 2; von Wissmann 1982: 64–75).
to the tenth–eighth centuries BC. Together with phase A1,
this pre-classical stage may be called ‘archaic’.
B: the first phase of script that can be dated with certainty is shown in the third column of Figure 1. These are
letters from one of the largest texts from Ancient Arabia
— the famous res gestae of the Sabaean ruler Karibʾil Watar, son of Ḏamarʿalī, written on two 7 m-long stone blocks
in the temple of the main Sabaean deity Almaqah in the city
of Ṣirwaḥ, 40 km west of Marib (RES 3945 + 3946, see
photographs in Robin & Vogt 1997: 96–97). Thanks to a
synchronism with Assyria, this inscription can be dated to
the early seventh century BC.7 The shape of the letters in
this text is extraordinarily well developed, keeping strictly
to the following geometric rules:
—The script is strictly rectangular and of constant and
parallel lineation. Within one text the width of all
lines is identical. The round letters and segments, in
particular the w, are perfectly circular.
—The letters’ proportion (von Wissmann: ‘H€
ohen-Breiten-Index’) is 3:1, i.e. the height of each letter is three
times its width (the circle-shaped letters ʿ and w do
not follow this rule, of course).
—The vertical structure of the letters is also in three parts:
except for clearly symmetrical letters (such as m, n, f, ḍ
and the like and, again, the circle-shaped ʿ and w), the
signs are divided into three parts, each filling a square
of equal size. Thus the upper parts of h and ḥ (the
‘cup’) as well as of ʾ and s, for example, are exactly half
the length of the lower part of the respective letters.
This plain and somehow perfect ductus, based on a
strict geometrical system, has consequently been considered a ‘standard’ of script in the scholarly world, and taken
as a measure for evaluating all other periods of Ancient
South Arabian writing.
C1: the next palaeographical step with an absolute date
is marked by two inscriptions put up in the Sabaean cities
7
A Sabaean ruler of this name is mentioned in an inscription by
Sennacherib c.685 BC. This synchronism, established by von Wissmann (1982: 147–149, referring to an observation previously made
by F. Hommel 1927: 75–86) and followed by most scholars (see e.g.
Robin 1996: 1113–1114), is now supported by a second inscription
of comparable size at the same site. This inscription, written in a
similar ductus as that of Karibʾil Watar, was set up by Yiṯaʿʾamar
Watar, son of Yakrubmalik, who could be identified with a Sabaean
ruler of the same name mentioned in the annals of Sargon II in 715
BC (see Nebes 2007). The fact that the only two Sabaean rulers
mentioned in Assyrian sources bear the names of the authors of by
far the two largest monumental Sabaic inscriptions from that period
makes the proposed synchronism highly probable.
189
P. STEIN
of Marib and probably Nasqum, but commissioned by foreign traders from East Arabia. Both inscriptions are dated,
according to the Seleucid Era, to c.300 BC.8 The third
century BC marks the transition from the so-called Early
Sabaic towards the Middle Sabaic period, a transition that
corresponds with far-reaching political as well as linguistic
changes.9 The script of the texts in question already shows
the characteristics of the palaeographical development during the Middle Sabaic period, such as
—the use of acute angles instead of the strictly rectangular formation of the classical style B (particularly
remarkable with the letters ʾ and n);
—the complete abandonment of any fixed letter proportion;
—a distinct thickening of the extremities of all lines,
which will develop later on into regular serifs. In consequence, the borders of all straight lines of the letters are
no longer parallel (as they had been in the older script);
—the shift from the former vertical three-part structure
towards a bipartite form: from now on, the upper elements of letters such as h and ḥ, ʾ and s have the same
length as their lower parts;
—the opening of the letters m and š towards curved
structures (instead of the former triangular shape);
—the twofold curving of the formerly crescent-like r
towards a boomerang form;
—the increasing flattening of the circled letter w towards
an ellipse. Apart from this, elliptic forms are occasionally also found with other circle-shaped elements,
namely letters such as y and ṯ.
8
The specimens presented here are taken from the Marib inscription. This text consists of two fragments, the first of which, RES
3605bis = Ry 547, has already been known for a long time. The
date ‘year two of King Seleucos (I.)’ in line 1 of the text, however,
has only recently been established with the help of a second, still
unpublished, fragment (DAI Marib Oase 2007-1), which was discovered by the German Archaeological Institute. The joined texts
and the chronological results were presented by Norbert Nebes at
the Seminar for Arabian Studies in July 2007 in London and a publication is in preparation. I am very much indebted to my colleague
for providing me with drafts of all the relevant material.
—The second inscription of similar content and palaeography,
but probably put up in Nasqum in the Wadi al-Ǧawf, is dated to the
seventh year of the very same king (see Prioletta 2011). The exact
absolute dates of the given years are, however, not quite certain
because of the dispute in reckoning the first years of the king’s reign
(Prioletta 2011: 288–289).
9
As for the latter, some marked differences in the grammar of Sabaic between the Early and Middle periods have been observed (see
Stein 2011: 1046–1047 and passim; for more details see Stein
2005).
190
C2: three centuries later, the characteristics of the Middle Sabaic script, as outlined above, have fully developed.
The table shows specimens from a Sabaic-Nabataean bilingual inscription from Ṣirwaḥ which was written, according
to a date in the Nabataean part, in the year 7–6 BC.10
C3: from the mid-first century AD onwards, the palaeography of Sabaic monumental inscriptions is more or less
reliably established due to a certain relative chronology of
the Sabaean kings. Column 6 in our table presents characteristic letter forms from inscriptions under the rule of Ilsaraḥ
Yaḥḍib and his brother Yaʾzil Bayyin, kings of Sabaʾ and
Ḏu Raydan, who reigned in the mid-third century AD.11
D1–2: the latest phase of Sabaic, and of Ancient South
Arabian writing culture in general, is called Late Sabaic. It
is characterised by the political hegemony of the Ḥimyar, a
confederation from the southern Yemeni highlands, and by
the predomination of a monotheistic faith. Many inscriptions are dated according to a fixed era. In palaeography, a
consequent development of the Middle Sabaic features can
be observed, resulting in the following modifications:
—serifs become more and more prominent;
—the formerly elliptic letter w is stretched to such an
extent that it finally appears as two separate circles;
—there is a strong tendency to cut the inscriptions in
relief. In relief inscriptions, the letters are generally of
a rather compact shape with thick lines, often resulting in an almost square proportion of the width and
height of each letter. The last column (D2) shows the
characteristic forms of the Late Sabaic relief script.
The samples in Figure 1 are taken from inscriptions from
the late fourth (D1) and the mid-sixth century AD (D2).12
10
DAI Ṣirwaḥ 2004-12 + Fragm., dated in the year 3 of Arethas
IV (see the preliminary treatment in Nebes 2006). Again, my thanks
to Norbert Nebes for allowing me to use his unpublished materials.
11
This date inn confirmed by the inscription al-Miʿsal 2, dated
according to an absolute era to the year AD 253, which refers to a
military campaign under the rule of those two kings (see Robin
1981: esp. 323 and 334–335, and most recently M€
uller 2010: 25–
26). The inscriptions the samples were taken from are the dedicatory
texts E 69 and J 576 + 577, the latter being the longest inscription
from pre-Islamic times ever found on the Arabian Peninsula (see
photographs of the inscriptions in al-ʾIryanī 1988: 16 and Bron
1992: 84–87, respectively).
12
D1: Gar B. Aswal 1, a building inscription from the Ḥimyarite capital Ẓafar, written under king Ḏaraʾʾamar Ayman (c. AD 400; see Robin
2008: 184, 200); D2: C 541, the large stela erected in Marib by king
Abreha in the year 548 (dated 658 Ḥimyarite era; this is one of the latest
dated texts from Ancient South Arabia). Good photographs of the latter
are published in Daum et al. 1999: 270.
PALAEOGRAPHY OF THE SOUTH ARABIAN SCRIPT
In summarising the evidence presented here, we may
conclude that there are two contrary tendencies in the development of the Ancient South Arabian monumental script:
1. The clear geometric system all letter forms are
based on during the classical phase in Early Sabaic
times is gradually abandoned in the later periods.
2. On the other hand, the ornamentation of letters by
non-geometrical features such as serifs, curves, etc. is
continuously increasing in the post-classical periods.
The palaeographical development of the minuscule
script (Fig. 2)
The second mode of writing in Ancient South Arabia is
the so-called minuscule script, which was almost exclusively used in daily life and scratched on wooden sticks. A
particularly helpful feature of this kind of script is the fact
that its writing support can be subjected to radiocarbon
analysis. Indeed, such analyses have been made on a number of inscribed sticks from the collection of the Oosters
Instituut at Leiden (see Drewes et al., this volume); the
data that emerged from this, however, are still not precise
enough to give a clear overall picture of the chronological
development of their script.13 Evidence for absolute chronology, be it dating formulae or historical clues in the text,
is found only from about AD 200 onwards. In any case,
the palaeographical development of this particular script
was already well established by Jacques Ryckmans in the
1990s.14 The numbering of the phases follows the system
introduced by Ryckmans (2001). The specimens shown in
13
As can be seen from the data presented by Drewes et al. (this
volume) and which is made use of in the following paragraphs, there
is some striking chronological overlap between single pieces from
one or other palaeographic stage of the minuscule script. This overlap may lead to the assumption that several palaeographical phases
should not be taken as chronologically successive but rather as a
contemporary variation. On the other hand, we have a number of
historical dates confirming the turning point from phase IVa to IVb
c. AD 300 (see below, with note 26), while the (comparatively few)
14
C dates for this period tend to be 1–2 centuries earlier. Although a
contemporary existence of both ductus may not be excluded even in
this case, it seems much less probable. Additional analyses of further sticks in future may help to clarify this apparent contradiction.
For our purpose, however, the question is only relevant for the early
periods since, particularly for phases IVa and IVb, we have taken
the specimens for our palaeographic tables from text which can be
dated by absolute chronology.
14
Ryckmans’s palaeographical sequence could mainly be confirmed by radiocarbon analysis of selected sticks, as is pointed out
by Drewes et al. (this volume).
the tables are taken from minuscule inscriptions in the
Munich collection;15 for practical reasons, the letter forms
of each period are mostly combined from more than one
inscription. Again, there are some gaps left in the illustration as the inscriptions taken as models for certain periods
accidentally lack specific letters. In contrast to this, the letter ẓ generally disappears from the script in the later periods from IIIa onwards, being replaced by the letter ḍ.16
I: the earliest phase clearly resembles the letter
forms of the contemporary monumental inscriptions on
rock and stone. Apart from the slightly bent shape,
certainly due to the structure of the convex writing
surface, the letters are more or less the same as in the
archaic phase of the monumental script (phase A2).
As for the age of this phase, we have 14C dates ranging between the eleventh/tenth and the (late) fifth centuries BC (the majority between 800 and 500).17 By
far the oldest of these dates (the stick L 24, 14C dated
to 1055–901 BC)18 corresponds well with the archaeologically fixed date of the earliest instances of monumental script from Raybun (phase A1, see above).
II: the second phase of the minuscule script, divided
into four subcategories (IIa–d) and called ‘transition’ by
Ryckmans (2001), is characterised by a beginning inclination of the letters combined with a loss of their geometrical
appearance. Marked features of this phase are:
—The morphology of the letters is still based on their
(archaic) monumental form (phase I), but increasingly
affected by inclination and bending of lines. In the
later periods (IIc–d), some letters start to open up,
producing horizontal ends of formerly vertical lines.
Characteristic indicators for the development within
this phase are the letters l, m and q.
15
Bayerische Staatsbibliothek in Munich. The Ancient South
Arabian minuscule inscriptions from this collection are quoted
according to either their siglum X.BSB in Stein 2010 or their library
signature Mon.script.sab. (unpublished).
16
This phenomenon of the minuscule script, which contrasts with
the contemporary orthography of the monumental inscriptions, is
probably based on sound shift in speech (see Stein 2010: 40–41).
17
The specimens in the table are taken from Mon.script.sab. 103
(a school alphabet), considering the two Minaic oracular requests
Mon.script.sab. 74 and 76 (see also the alphabet in Ryckmans
1997).
18
This piece had been tentatively ranged in phase IIa by Ryckmans (2001: 225 fig. 1). A closer look at the inscription, however,
reveals that its palaeography is definitely more archaic (cf. Stein
2010: 46 with n. 195).
191
P. STEIN
—The previously circled parts of letters lose their character in favour of straight and cornered lines, in particular y, ṯ, s: and ẓ (and again, q).
—The letter ʾ (alif) has lost its double-angled top in
favour of an inclined simple stroke.
—In phase IId, the letter ḏ finally loses its horizontal
bars in favour of a small stroke between the bottom
ends of the two verticals.
Overall in phase II we have 14C dates between c.800
and 400 BC. It thus corresponds more or less with the
classical phase B of the monumental script. The examples
labelled IIa and IIc–d here are characteristic of Ryckmans’s subgroups IIa and IId, respectively.19 The sub-division of phase II into at least three subcategories (a, c and
d) is still to be reliably established.20
IIIa: the third phase presents the minuscule script in its
developed shape. The development of phase II continues,
leading to the following characteristics:
—Most former verticals have inclined to curved lines,
tapering off to horizontal ends. Unlike in earlier periods, these ends generally point to the left, thus resulting in some kind of base line in writing (the only
exception is made by q and partly by m, ḍ and z).21
All box-, hook- or fork-shaped letters of earlier times
have developed into a marked vertical (with the bottom bending to the left) and an almost closed, round
corpus to the right of it. Irrespective of their different
19
The letter forms categorised as phase IIc here are found under
IId in Ryckmans’s table (2001: 225 fig. 1). The marked difference
from other characters of this phase (our IId, see Fig. 2), however,
speaks for a clear distinction. On the other hand, Ryckmans’s phase
IIc, represented by only two poor examples (ibid.), could not firmly
be verified on the basis of the combined evidence of both the Leiden
and the Munich collections. The letter forms of our samples are
taken from Mon.script.sab. 102 (alphabet), 246 (account) and 419
(Minaic letter, all IIa); Mon.script.sab. 308 and 662 (alphabets), considering the Sabaic incantation Mon.script.sab. 7 (IIc); and Mon.script.sab. 160 (alphabet), considering the Sabaic and Minaic
business documents Mon.script.sab. 78 and 588 (IId).
20
The subcategory IIb, as introduced by Ryckmans (2001: 225
fig. 1), is only based on one single — however well established —
example, which is accompanied by a few mostly fragmentary
inscriptions of similar ductus in both the Leiden and Munich collections. It remains an open question whether this particular ductus is
really representative of a separate palaeographical ‘phase’ or just
some variant of one of the other phases IIc and IId, respectively.
21
Letters of this and the following periods often seem to be connected with each other by such a line, although connecting letters
are not a regular phenomenon of cursive writing in Ancient South
Arabian.
192
origin, the basic shape of these two elements is more
or less identical in all letters.
—The originally circled letters ʿ and w have got a leftoriented vertical stroke as well. In consequence, the
letters ʿ and b, for example, are now more or less
identical in shape, distinguished only by their different size.
—The letter d consists of a long vertical and a small
closed element at some distance to the left, the latter
looking like a small ʿ.
14
C dates of this phase range mainly between 500 and
100 BC,22 covering the Early Middle Sabaic period (cf.
phase C1 of the monumental script).
IIIb: This ductus is quite exceptional, as it does not fit
into the straight palaeographical order. Even though we
have (only two) 14C dates from the first–second century
AD, a historical connection with phase IVa seems rather
problematic since, from a palaeographical point of view,
the ductus appears much older: apart from a marked accentuation of verticals, the basic shape of the letters is that of
phase IId (with some tendency towards IIIa).23 Since many
representatives of this particular ductus are written in the
Minaic and Amiritic languages, this ‘phase’ could have
been more a local than a chronological phenomenon.24
IVa: this phase, covering large parts of the Middle Sabaic period, presents the cursive character of the minuscule script very clearly. The letters are markedly curved
and inclined, emphasising verticals (projecting lines of
particular letters) as well as horizontals (mainly at the
imaginary bottom line). Any similarity with the contemporary monumental script (phases C2–3) has disappeared.
The basic shape of letter formation remains unchanged,
only two marked differences from the preceding period
IIIa can be observed:
—The long, right stroke of the letters h and t projects far
beyond the bottom line (in contrast to its orientation
by the horizontal line, as most other letters, in the preceding phase).
22
The letter forms are taken from the Sabaic letters X.BSB 98
and 99, compared with the Minaic legal document Mon.script.sab.
554.
23
Another striking feature is the existence of the letter ẓ, which
was generally omitted (i.e. replaced by the letter ḍ) as early as phase
IIIa (see above, with note 16). Furthermore, a number of Minaic
texts are written in this ductus, while this language is commonly
thought to have died out in the late second century BC.
24
The examples are from the letters X.BSB 96 and Mon.script.sab. 142 and 640, written in Minaic and Amiritic respectively.
PALAEOGRAPHY OF THE SOUTH ARABIAN SCRIPT
—The letter d has a tripartite form: two (instead of one
in IIIa) verticals accompany the small closed element.
The latter gradually gets smaller and finally completely disappears in the following phase IVb.
For this phase, we have 14C dates between 200 BC and
AD 250, supplemented by additional data within the texts.25
IVb: the last phase of the minuscule script starts c. AD
300. This date is supported by chronological data from the
inscriptions themselves, since texts of this late period are
often dated according to the absolute era of the Ḥimyarite
dynasty.26 14C dates, however, range from the (late) first to
the early sixth century AD. The ductus of this late phase is
very specific. Although resulting from a consequent development from phase IVa, the letter forms are characterised
by the following peculiarities:27
—The horizontals are shortened in favour of a strong
accentuation of all vertical lines. Thus the script has a
generally rather crude appearance (the extent of
which obviously depends on the material structure of
the writing support, see note 28).
—The letters ʾ and k, previously composed of two
curved, continuously drawn lines, are ‘broken’: they
are now formed by three separate, almost vertical
lines which either keep clear of or cross each other
(Ryckmans 2001: 233 ‘N’- or ‘’א-like form).
—The letter d has finally lost its third (left) element,
resulting in the formation of merely two verticals.
—The letter m is made up two small bent strokes forming a kind of small hook; this shape has already
emerged in the course of the previous phase IVa.
—The distinct features as well as the size of certain letters become reduced to a large extent so that a number of signs appear to have a more or less identical
shape (especially ʾ and k; ʿ, b, l and y; and sometimes
ḥ and w).
25
The specimens are from X.BSB 32 and 41, two Sabaic legal
documents, which can probably be dated to about AD 200 (after Stein
2010: 48–49.); see also X.BSB 20 and 61 of similar date (ibid.).
26
See Stein 2010: 47 with nn. 204–205. The first inscription written in this ductus is around AD 300, while the so far last dated text
was written in the year 522 (dated 5322 Ḥimyarite era). Thanks to a
fairly broad documentation of inscriptions and external chronological data in this period, the transition between phases IVa and IVb is
quite clearly established (see the palaeographic table in Stein 2010:
48–49).
27
The samples are taken from the Sabaic legal document X.BSB
46 and the letter X.BSB 152, dated to the years 522 and 554 Ḥimyarite era = AD 412 and 444, respectively.
Conclusions (Fig. 3)
It is clear that the script of the wooden documents,
although of common origin with that of the monumental
inscriptions, has quickly developed into a separate cursive.
Due to the needs of fluent writing, this so-called ‘minuscule’ script tends more and more to markedly curved and
inclined lines, as well as emphasising partly horizontals,
partly verticals, dependent on the convex surface of the
writing support.28 At the end of this development, the
basic letter forms have hardly anything in common with
their ‘ancestors’ more than 1000 years before.29 In contrast to this, the geometric ductus of the monumental
inscriptions chiselled in stone remained basically
unchanged, forming some kind of ‘capital’ letters which
were altered only by ornamentation, but not by a marked
deviation of their basic shape.
The synchronic development of both monumental and
minuscule script is illustrated in Figure 3. The individual
periods of both types of script, as described above, are
now arranged according to their chronological order. Proceeding from the ductus of those inscriptions that can be
dated with certainty (with the approximate date given
above the particular column), the remaining specimens of
uncertain date (mainly the different phases of the minuscule script in the first millennium BC) are grouped in
between.
What does this survey tell us about the use of script in
Ancient South Arabia? The result is simple and not unexpected: the script used for everyday purposes such as writ28
In contrast to stressing horizontals in the earlier phases of the
minuscule script, a markedly vertical stretching can be observed in
the last phase (IVb). This feature, which is often accompanied by a
remarkably large letter size, is obviously dependent on the structure
of the most common writing support in that period. The soft wood
of the ʿUshar tree (Calotropis procera), consisting of thick horizontal fibres, seems to hamper fluent writing in a fine, level-oriented
cursive.
29
Incidentally, the striking deviation of the minuscule script in
the later periods was the reason for the difficulties in deciphering the
wooden documents: from the discovery of the first pieces to the publication — i.e. transliteration and translation — of the first text,
almost twenty years had passed. The person who dedicated himself
most intensively to this subject from the beginning was the Jordanian scholar Mahmud Ali al-Ghul. Unfortunately it was not granted
to him to harvest the fruits of his work due to his early death in
1983. The first publication of an inscribed wooden stick from
ancient Yemen was made by ʿAbdallah (1986) (a receipt written in
Sabaic). A first, albeit small, monograph on the topic was prepared
by Ryckmans, M€
uller and ʿAbdallah (1994), including the publication of sixteen inscriptions. For further details on the research history, see the introduction in Stein 2010: 17–20.
193
P. STEIN
Fig. 3.
Monumental and minuscule scripts in synchronic comparison.
ing letters, contracts, and accounts, is simplified in view of
its purpose. The characteristic curving and inclination of
the letters clearly emerge from the needs of cursive writing. Script in a public space, on the other hand, has been
designed not for comfortable handling but rather for representative effects, for visual impression. While these effects
were sought for in strict geometrical patterns in the early
style (B), this was soon given up in favour of styling and
ornamentation, by using additional elements such as
curves, serifs, and others, in the later periods.
Both types of script have a common origin in the
late second millennium BC, but subsequently developed
into two largely separate systems, which differ completely both in the mode of writing and (consequently)
in the appearance of the letter forms. Both types always
run parallel through the history of South Arabian writing. Although they have continuously been diverging
194
from each other, they remained representatives of a
common writing culture — revealing texts in one and
the same language, and ceasing to be in use only
immediately before a new mode of writing spread over
the Arabian Peninsula: the Arabic language and script
in the progression; train of Islam.
Acknowledgements
This article is based on a paper presented at the Symposium
‘Rationalizing Script: the simplification of characters and of
writing systems’ at Ca’ Foscari University in Venice (Italy),
12–13 September 2011. The author is very much indebted
to M.C.A. Macdonald (Oxford) for reading a draft of the
article and for providing him with all the relevant material
on the radiocarbon analyses long before its publication (on
which see now Drewes et al., this volume).
PALAEOGRAPHY OF THE SOUTH ARABIAN SCRIPT
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