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Hilton Als head shot - The New Yorker

Hilton Als

Hilton Als became a staff writer at The New Yorker in 1994 and a theatre critic in 2002. He began contributing to the magazine in 1989, writing pieces for The Talk of the Town. He won the Pulitzer Prize for criticism in 2017 for his New Yorker work.

Before coming to The New Yorker, Als was a staff writer for the Village Voice and an editor-at-large at Vibe. Als edited the catalogue for the 1994-95 Whitney Museum of American Art exhibition “Black Male: Representations of Masculinity in Contemporary American Art.” His first book, “The Women,” was published in 1996. His book “White Girls,” a finalist for the National Book Critics Circle Award and the winner of the Lambda Literary Award in 2014, discusses various narratives of race and gender.

In 1997, the New York Association of Black Journalists awarded Als first prize in both Magazine Critique/Review and Magazine Arts and Entertainment. He was awarded a Guggenheim for creative writing in 2000 and the George Jean Nathan Award for Dramatic Criticism for 2002-03. In 2016, he received Lambda Literary’s Trustee Award for Excellence in Literature. In 2018, Als received the City College of New York’s Langston Hughes Medal.

In 2009, Als worked with the performer Justin Bond on “Cold Water,” an exhibition of paintings, drawings, and videos by performers, at La MaMa Gallery. In 2010, he co-curated “Self-Consciousness,” at the VeneKlasen/Werner gallery, in Berlin, and published “Justin Bond/Jackie Curtis.” In 2015, he collaborated with the artist Celia Paul to create “Desdemona for Celia by Hilton,” an exhibition for the Metropolitan Opera’s Gallery Met. “Alice Neel, Uptown,” which Als curated in 2017, was selected by three of Artforum’s critics as one of the ten best shows of the year. His accompanying book on the artist was also widely praised.

Als published “My Pinup” in 2022 and edited the 2024 collection “God Made My Face: A Collective Portrait of James Baldwin.” He is a teaching professor at the University of California, Berkeley, an associate professor of writing at Columbia University’s School of the Arts, and has taught at Yale University, Columbia University, Wesleyan University, and Smith College. He lives in New York City.

Digging Deep with Jilaine Jones

In her show at 15 Orient, the sculptor shows us how life shapes and reshapes us.

Liza Minnelli’s Desire to Touch

Also: Merch love for L.A., the Australian comedian Sam Kissajukian’s “300 Paintings,” Heartbeat Opera’s innovative “Salome,” and more.

The Hidden Story of J. P. Morgan’s Librarian

Belle da Costa Greene, a brilliant archivist, buried her own history.

Hilton Als on Understanding Difference in “Alok”

Also: A fresh “Elf” on Broadway, Michael Shannon and Tilda Swinton navigate “The End,” the French hip-hop dance of Bintou Dembélé, and more.

The Elegiac Art of Robert Frank

Also: Rachel Syme samples opulent advent calendars, Helen Shaw reviews “Tammy Faye” and “A Wonderful World,” “Emilia Pérez” is streaming, and more.

Kacey Musgraves, Offbeat Pageant Princess

Also: Hilton Als on theatrical magic from David Cromer and Zoë Winters, Ralph Lemon at MOMA PS1, “A Real Pain” reviewed, and more.

Bill T. Jones’s Controversial “Still/Here,” Thirty Years Later

Also: the glamorous camp of “Drag: The Musical,” the Afropop of Angélique Kidjo, the Vatican thriller “Conclave,” and more.

Elisheva Biernoff’s Family of Man

The artist’s poignant paintings reproduce the photographs of strangers.

The House That Alvin Ailey Built

In “Revelations” and other works, the choreographer created a home for Black dancers.

Suzanne Jackson’s Natural World

The artist captures the ephemeral and transformative power of light.

Meredith Monk Finds the Joy and the Necessity of the Collective

Also: First-person documentaries, Remi Wolf’s funky soul pop, the Met Opera’s new season, and more.

The Trendiest Piercing Studios in N.Y.C.

Also: The influential aesthetic of “Africa’s Fashion Diaspora,” the return of Bright Eyes, the democratic Fall for Dance festival, and more.

Usher, the King of R. & B.

Also: The wrenching documentary “Daughters,” the Fourth Wall Ensemble in Green-Wood Cemetery, Lauren Collins on truth and deception.

The Warhol “Superstar” Candy Darling and the Fight to Be Seen

The sui-generis trans actress inspired works by Warhol, Lou Reed, and others, yet never broke through to the mainstream herself. A new book captures the brilliant persona she created.

Brightening the History of Harlem

Denise Murrell, in her exhibition on the Harlem Renaissance at the Met, captures the joy of her subject but not the complex humanism.

Betye Saar Reassembles the Lives of Black Women

The artist restores depth and interiority to the caricatures of racism.

Michelle Buteau’s Caring Comedy

Sentiment and a sense of community provide the framework for the comedian’s new standup show, “Full Heart, Tight Jeans.”

How Michael R. Jackson Remade the American Musical

“A Strange Loop,” a story about a Black, gay theatre nerd, was a surprise success. In his latest work, “White Girl in Danger,” Jackson reimagines the soap opera.

Senga Nengudi’s Journeys Through Air, Water, and Sand

In a show at Dia Beacon, the artist explores her poetics of the body and her philosophical belief in flow.
Postscript

Always Something There to Remind Me

Burt Bacharach’s complex, existential pop.

Digging Deep with Jilaine Jones

In her show at 15 Orient, the sculptor shows us how life shapes and reshapes us.

Liza Minnelli’s Desire to Touch

Also: Merch love for L.A., the Australian comedian Sam Kissajukian’s “300 Paintings,” Heartbeat Opera’s innovative “Salome,” and more.

The Hidden Story of J. P. Morgan’s Librarian

Belle da Costa Greene, a brilliant archivist, buried her own history.

Hilton Als on Understanding Difference in “Alok”

Also: A fresh “Elf” on Broadway, Michael Shannon and Tilda Swinton navigate “The End,” the French hip-hop dance of Bintou Dembélé, and more.

The Elegiac Art of Robert Frank

Also: Rachel Syme samples opulent advent calendars, Helen Shaw reviews “Tammy Faye” and “A Wonderful World,” “Emilia Pérez” is streaming, and more.

Kacey Musgraves, Offbeat Pageant Princess

Also: Hilton Als on theatrical magic from David Cromer and Zoë Winters, Ralph Lemon at MOMA PS1, “A Real Pain” reviewed, and more.

Bill T. Jones’s Controversial “Still/Here,” Thirty Years Later

Also: the glamorous camp of “Drag: The Musical,” the Afropop of Angélique Kidjo, the Vatican thriller “Conclave,” and more.

Elisheva Biernoff’s Family of Man

The artist’s poignant paintings reproduce the photographs of strangers.

The House That Alvin Ailey Built

In “Revelations” and other works, the choreographer created a home for Black dancers.

Suzanne Jackson’s Natural World

The artist captures the ephemeral and transformative power of light.

Meredith Monk Finds the Joy and the Necessity of the Collective

Also: First-person documentaries, Remi Wolf’s funky soul pop, the Met Opera’s new season, and more.

The Trendiest Piercing Studios in N.Y.C.

Also: The influential aesthetic of “Africa’s Fashion Diaspora,” the return of Bright Eyes, the democratic Fall for Dance festival, and more.

Usher, the King of R. & B.

Also: The wrenching documentary “Daughters,” the Fourth Wall Ensemble in Green-Wood Cemetery, Lauren Collins on truth and deception.

The Warhol “Superstar” Candy Darling and the Fight to Be Seen

The sui-generis trans actress inspired works by Warhol, Lou Reed, and others, yet never broke through to the mainstream herself. A new book captures the brilliant persona she created.

Brightening the History of Harlem

Denise Murrell, in her exhibition on the Harlem Renaissance at the Met, captures the joy of her subject but not the complex humanism.

Betye Saar Reassembles the Lives of Black Women

The artist restores depth and interiority to the caricatures of racism.

Michelle Buteau’s Caring Comedy

Sentiment and a sense of community provide the framework for the comedian’s new standup show, “Full Heart, Tight Jeans.”

How Michael R. Jackson Remade the American Musical

“A Strange Loop,” a story about a Black, gay theatre nerd, was a surprise success. In his latest work, “White Girl in Danger,” Jackson reimagines the soap opera.

Senga Nengudi’s Journeys Through Air, Water, and Sand

In a show at Dia Beacon, the artist explores her poetics of the body and her philosophical belief in flow.
Postscript

Always Something There to Remind Me

Burt Bacharach’s complex, existential pop.