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Portal:Rock music

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Rock is a broad genre of popular music that originated in the United States as "rock and roll" in the late 1940s and early 1950s, developing into a range of different styles from the mid-1960s, primarily in the United States and the United Kingdom. It has its roots in rock and roll, a style that drew directly from the black musical genres of blues and rhythm and blues, as well as from country music. Rock also drew strongly from genres such as electric blues and folk, and incorporated influences from jazz and other musical styles. For instrumentation, rock is typically centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a 4
4
time signature
and using a verse–chorus form, but the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock was the most popular genre of music in the U.S. and much of the Western world from the 1950s until its decline in the 2010s.

Rock musicians in the mid-1960s began to advance the album ahead of the single as the dominant form of recorded music expression and consumption, with the Beatles at the forefront of this development. Their contributions lent the genre a cultural legitimacy in the mainstream and initiated a rock-informed album era in the music industry for the next several decades. By the late 1960s "classic rock" period, a few distinct rock music subgenres had emerged, including hybrids like blues rock, folk rock, country rock, Southern rock, raga rock, and jazz rock, which contributed to the development of psychedelic rock, influenced by the countercultural psychedelic and hippie scene. New genres that emerged included progressive rock, which extended artistic elements, heavy metal, which emphasized an aggressive thick sound, and glam rock, which highlighted showmanship and visual style. In the second half of the 1970s, punk rock reacted by producing stripped-down, energetic social and political critiques. Punk was an influence in the 1980s on new wave, post-punk and eventually alternative rock.

From the 1990s, alternative rock began to dominate rock music and break into the mainstream in the form of grunge, Britpop, and indie rock. Further fusion subgenres have since emerged, including pop-punk, electronic rock, rap rock, and rap metal. Some movements were conscious attempts to revisit rock's history, including the garage rock/post-punk revival in the 2000s. Since the 2010s, rock has lost its position as the pre-eminent popular music genre in world culture, but remains commercially successful. The increased influence of hip-hop and electronic dance music can be seen in rock music, notably in the techno-pop scene of the early 2010s and the pop-punk-hip-hop revival of the 2020s. (Full article...)

The following are images from various rock music-related articles on Wikipedia.

Selected article

The Electric Prunes in 1966.
The Electric Prunes are an American psychedelic rock band, formed in Los Angeles, California, in 1965. Much of the band's music was, as music historian Richie Unterberger described it, possessed of "an eerie and sometimes anguished ambiance." Their most successful material was by songwriters Annette Tucker and Nancie Mantz, though the group also penned their own songs. Incorporating psychedelia and elements of embryonic electronic rock, the band's sound was marked by innovative recording techniques with fuzz-toned guitars and oscillating sound effects. In addition, guitarist Ken Williams' and singer James Lowe's concept of "free-form garage music" provided the band with a richer sonic palette and exploratory lyrical structure than many of their contemporaries.

The band was signed to Reprise Records in 1966 and released their first single, "Ain't It Hard", in the latter part of the year. Their first album, The Electric Prunes, included the band's two nationally charting songs, "I Had Too Much to Dream (Last Night)" and "Get Me to the World on Time". With the appearance of their second album, Underground, the band was more free to create their own material. However, the original group disbanded by 1968 when they proved unable to record the innovative and complex arrangements by David Axelrod on the albums Mass in F Minor and Release of an Oath. Both albums were released under the band's name, the rights to which were owned by their record producer David Hassinger, but were largely performed by other musicians. Several of the original band members reconvened in 1999 and began recording again. The band still performs occasionally, although the only remaining original member is lead singer James Lowe. (Full article...)

Selected biography

Paul Kelly performing at the Byron Bay Bluesfest in 2015.
Paul Maurice Kelly AO (born 13 January 1955) is an Australian rock music singer-songwriter and guitarist. He has performed solo, and has led numerous groups, including the Dots, the Coloured Girls, and the Messengers. He has worked with other artists and groups, including associated projects Professor Ratbaggy and Stardust Five. Kelly's music style has ranged from bluegrass to studio-oriented dub reggae, but his core output straddles folk, rock and country. His lyrics capture the vastness of the culture and landscape of Australia by chronicling life about him for over 30 years. David Fricke from Rolling Stone calls Kelly "one of the finest songwriters I have ever heard, Australian or otherwise". Kelly has said, "Song writing is mysterious to me. I still feel like a total beginner. I don't feel like I have got it nailed yet."

After growing up in Adelaide, Kelly travelled around Australia before settling in Melbourne in 1976. He became involved in the pub rock scene and drug culture and recorded two albums with the Dots. Kelly moved to Sydney by 1985, where he formed Paul Kelly and the Coloured Girls. The band was renamed Paul Kelly and the Messengers, initially only for international releases, to avoid possible racial interpretations of the word "coloured". At the end of the 1980s, Kelly returned to Melbourne, and in 1991 he disbanded the Messengers.

Kelly's Top 40 singles include "Billy Baxter", "Before Too Long", "Darling It Hurts", "To Her Door" (his highest-charting local hit in 1987), "Dumb Things" (appeared on United States charts in 1988) and "Roll on Summer". Top-20 albums include Gossip, Under the Sun, Comedy, Songs from the South (1997 compilation), ...Nothing but a Dream, Stolen Apples, Spring and Fall, The Merri Soul Sessions, Seven Sonnets and a Song, Death's Dateless Night (with Charlie Owen), Life Is Fine (his first number-one album) and Nature. Kelly has won 14 Australian Recording Industry Association (ARIA) Music Awards, including his induction into their hall of fame in 1997. Dan Kelly, his nephew, is a singer and guitarist in his own right. Dan performed with Kelly on Ways and Means and Stolen Apples. Both were members of Stardust Five, which released a self-titled album in 2006. On 22 September 2010, Kelly released his memoir, How to Make Gravy, which he described as "it's not traditional; it's writing around the A–Z theme – I tell stories around the song lyrics in alphabetical order". His biographical film Paul Kelly: Stories of Me, directed by Ian Darling, was released to cinemas in October 2012.

In 2001, the Australasian Performing Right Association (APRA) listed the Top 30 Australian songs of all time, which included Kelly's To Her Door, and Treaty, written by Kelly and members of Yothu Yindi. Aside from Treaty, Kelly wrote or co-wrote several songs on Indigenous Australian social issues and historical events. He provided songs for many other artists, tailoring them to their particular vocal range. The album Women at the Well from 2002 had 14 female artists record his songs in tribute. (Full article...)

Selected album

Lions is the sixth studio album by American rock band the Black Crowes. It was released in 2001 as their first album on V2 Records following their departure from Columbia, and is their only studio album to feature guitarist Audley Freed. Lions was recorded in New York City in January and February of that year, and was produced by Don Was. Bass guitar duties were shared by Rich Robinson and Was, as Greg Rzab had left the band and was not replaced until the tour that followed the release of the album.

The album debuted on the Billboard 200 at its peak position of 20, selling more than 53,000 copies in its first week. Lions received mixed reviews; although the overall sound of the album generally garnered praise, a frequent complaint was the lack of "memorable" songs. The critics who rated Lions lowest considered it a poor imitation of the band's influences, such as Led Zeppelin.

The band supported Lions with two North American tours (one with Oasis co-headlining), and a short tour of Europe and Japan in between. Soundboard recordings of several concerts were available for download to those who owned the album. Following the tour, the band went on hiatus until 2005. (Full article...)

Selected song

"Laugh, Laugh" is a song by American rock group the Beau Brummels, written by guitarist Ron Elliott and produced by Sylvester Stewart, later known as Sly Stone. Released in December 1964 as the band's debut single, the song reached number 15 on the U.S. Billboard Hot 100 chart the following February. "Laugh, Laugh" was the first hit single to come out of the emerging San Francisco music scene in response to the British Invasion. The song was later included on the band's first full-length album, Introducing the Beau Brummels, released in April 1965.

The Beau Brummels promoted the single by appearing on several television shows, including a 1965 episode of The Flintstones in which the band gave an animated performance as the Beau Brummelstones. In 1994, "Laugh, Laugh" was selected to The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll exhibit. Lead singer Sal Valentino reworked the song for his 2008 solo album, Every Now and Then. (Full article...)

Selected picture

Credit: Takahiro Kyono

Leonard Cohen performing at King's Garden, Odense, Denmark, on 17 August 2013.

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Selected genre

Glam metal (also known as hair metal or pop metal) is a subgenre of heavy metal that features pop-influenced hooks and guitar riffs, upbeat rock anthems, and slow power ballads. It borrows heavily from the fashion and image of 1970s glam rock.

Early glam metal evolved directly from the glam rock movement of the 1970s, as visual elements taken from acts such as David Bowie, T. Rex, and New York Dolls (and to a lesser extent, the punk and new wave movements taking place concurrently in New York City) were fused with the decidedly more heavy metal leaning and theatrical acts such as Alice Cooper and Kiss. The first examples of this fusion began appearing in the late 1970s and early 1980s in the United States, particularly on the Los Angeles Sunset Strip music scene. Early glam metal bands include Mötley Crüe, Hanoi Rocks, Ratt, Quiet Riot, Twisted Sister, Bon Jovi, and Dokken. Glam metal achieved significant commercial success from approximately 1982 to 1991, bringing to prominence bands such as Poison, Skid Row, Cinderella, and Warrant. From a strictly visual perspective, glam metal is defined by flashy and tight-fitting clothing, makeup, and an overall androgynous aesthetic in which the traditional "denim & leather" aspect of heavy metal culture is replaced by spandex, lace, and usually heavy use of bright colours. (Full article...)

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"Free as a Bird" is a single released in December 1995 by English rock band the Beatles. The song was originally written and recorded in 1977 as a home demo by John Lennon. In 1995, 25 years after their break-up and 15 years after Lennon's murder, his then surviving bandmates Paul McCartney, George Harrison and Ringo Starr released a studio version incorporating the demo.

The single was released as part of the promotion for The Beatles Anthology video documentary and the Anthology 1 compilation album. For the Anthology project, McCartney asked Lennon's widow Yoko Ono for unreleased material by Lennon to which the three remaining ex-Beatles could contribute. "Free as a Bird" was one of three such songs (along with "Real Love" and, decades later, "Now and Then") for which McCartney, Harrison, and Starr contributed additional instrumentation, vocals, and arrangements. Jeff Lynne, who had worked with Harrison on Harrison's album Cloud Nine and as part of the Traveling Wilburys, co-produced. (Full article...)

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