Showing posts with label york. Show all posts
Showing posts with label york. Show all posts

Friday, July 04, 2008

Strange goings on in York

Just what is happening in York? Tim Hornsby - who founded and used to manage the legendary Fibbers venue in the city - has been attempting to open a new venue, The Duchess. We got an email earlier this morning from Andy, who told us about the troubles the Duchess were having getting a licence.

The Police, Fire Service and Council were - it appears - all happy, but a series of objections apparently coming from Barfly - who now own Fibbers - was throwing things off kilter by filing objections and ensuring the licence application was subject of a full enquiry. A post on the Duchess website attempted to rally local support in advance of the independent hearing:

If you really agree with opening the live music venue that everybody in York has wanted for so long; and if you genuinely believe that we pose no threat to public safety, local traders and neighbours or even our own customers, please drop us a quick line tim@duchessofyork.co.uk, start your own petition, anything! No vendettas or "boycott Fibbers stuff" please. Your messages of support will be presented to the enquiry.

All fair enough - and the post stressed that it was perfectly legal for Barfly to object and trigger this part of the process.

Curiously, though, that post has been removed and replaced:
We have received a solicitor's letter this morning from Barfly advising us to remove this news story.

Perhaps Barfly objected to the tone of the piece; maybe they just don't want the story playing out in public. But it seems a little unfair to insist that your rivals remove a story soliciting support for their campaign - especially when the Duchess had taken great care to ensure the focus was on support for their venue rather than a pointless war with the Barfly group.

Saturday, May 10, 2008

Indieobit: Tony Kostrzewa

Genuinely sad news: Tony Kostrzewa, founder of Red Rhino, has died after losing a battle with cancer.

Born in Bradford to a Polish father and a Yorkshire woman, Tony - known universally as Tony K by people willing to avoid trying their luck with his surname - might have had a very different life, originally applying to join the RAF. The forces, however, wouldn't have him due to his Polish ancestry - this as recently as 1966 - so Tony drifted from job to job.

In 1977, though, he discovered a way of making a living out a passion, opening Red Rhino record shop in York. Two years later came the associated record label and distribution network, a crucial part of the proper independent scene that was starting to form from in the post-punk wilderness. Red Rhino would go on to become a key part of the Cartel in the 1980s. Tony took on the role of managing The Catalogue, the Cartel's attempt to move indie music publications away from the xerox machine and into the newsagent. A luxurious, glossy monthly, the regular free flexi disc often featured the biggest fish in the indie pond: The Breeders, Big Black and so on.

Over a ten year period, the label released 125 records, including Akrylykz's debut - featuring a young Roland Gift; the first Pulp album; and a skeleton army of Goth and Industrial classics including Skeletal Family, Front 242 and Red Lorry Yellow Lorry.

Red Rhino would eventually fall victim to the problems of independence - when times get hard, there's nowhere to cross-subsidise from; the label collapsed in 1989 and the shop closed in 1992. Tony moved to Leeds, working in the Laser Game business, although in 2004 he made a return to music, launching 10 X Better Music promotions company.

His love of music never left him; consultants would chide him for dancing when he should have been receiving treatment. He died on May 1st, and is survived by his wife, Gerri, and their two children. The family have set up a fund in aid of the Yorkshire Cancer Centre in his memory.


Wednesday, April 02, 2008

Gennaro Castaldo Watch: Leeds Festival has riot before it happens

Yes, it's quite a feather in the cap of the Leeds Festival: while its reputation for sometimes ending in riot and disturbance is oft told in tale and song, this year it's managed to generate a mini-riot before anyone had bought a ticket.

HMV in York opened early to flog tickets, but the queues which started to gather were a little unruly, reports the York Press:

The area outside the HMV store in Coney Street "looked like a bombsite" after rock fans arrived in the early hours to secure their places at the Leeds Festival.

They took tables and chairs from nearby bars, as well as pub umbrellas to shelter them from the rain, before leaving them littering the street along with piles of other rubbish.

Some urinated in doorways and lanes leading to neighbouring shops, while city centre street-cleaning teams endured a torrent of abuse and had to dodge cans and plastic bottles hurled at them as they tried to tidy up - leading to police being called in to calm the situation yesterday morning.

Gennaro Castaldo - who else? - rides to try and smooth the ruffled feathers of traders and abused street sweepers:
"It was unfortunate and regrettable that a small minority of people queuing for the tickets showed a lack of consideration and respect for most of the other fans there, and also for the environment they were in," said spokesman Gennaro Castaldo.

"All we wanted to do was give real music fans a chance to buy tickets for this great event rather than missing out online or having to resort to touts. If anybody was upset or offended by the behaviour, including our immediate trading neighbours, then on behalf of HMV, I offer our most sincere apologies.

"We're also very grateful to the council and their employees for being on the case so promptly to clear up the litter - they did a great job."

You'll note that Castaldo seems to have asked if there was any way that HMV could perhaps help to cover the costs of the extra cleaning and the police being directed from their every day work - after all, the money made from flogging 200 sets of Leeds tickets must leave something in the kitty for HMV to make amends.

[Thanks to Ben H for the link and tip]

Monday, June 11, 2007

Wrong side of the Tracks

We've just had an email from James Waterson, recording the loss of another indie music store:

"Just popped over to Track Records, a fairly large independent store that's provided the backbone of York's music scene for the past 30 years. It's the sort of place that gets in every seven inch released by any tiny label in the country, where they have great stocks of obscure 80s indie and 60s r'n'b - in short, just what every music fan needs. A local group could press up a few hundred records and sell the whole lot to likeminded souls, anyone could write a fanzine, leave on the counter and guarentee that it would be read and appreciated. What's more, the staff encourage such actions for the greater good of the scene.

But it doesn't count for anything when the sales decline combines with rising rents. Moved from its high street location to a position on the edge of the city centre Track has finally run out of cash and as of this week launched a fire sale with a view to shutting down its once successful mail order business and shop with the month. The staff are distraught - when one pondered "what am I going to do?" he clarified it by meaning "about getting music, never mind my job". They are genuine fans of music, always recommending releases and assisting start up record labels such as myself. Within a month they will cease to exist and head the way of Spillers et al as our indie stores are subsumed.

Afterwards I wandered down to Virgin/HMV on our highstreet, the only remaining music shops in York. Only the latter made an attempt to stock singles, proffering a half shelf's worth of battered White Stripes seven inches and top 10 CDs. Local bands don't get a look in while trendy adverts try to convince me to buy Credit Cards and 'Entertainment packages' for my HDTV. The album selection is wide, but you're unlikely to find The Fall's entire back catalogue nestling between Felt reissues and current underground indie pop, let alone with staff who will provide honest appraisals. I've often scoffed at those who bemoan the 'death of the music industry' and the end of alternative culture. Yet today York's slowly-reviving-post-Shed-Seven music scene has been irrevocably damaged. Almost all of my current music taste was informed by rarities grabbed from the shop during my teenage years and yet, were in the same postion now, it's a good half hour on the train to the nearest non-highest music shop. Quite frankly, I simply wouldn't bother."

James tells us that the shop has been replaced with a sandwich shop. They'd better be bloody brilliant sandwiches.