May Abrahamse
May Abrahamse | |
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Born | |
Died | 5 May 2025 | (aged 94)
Occupation | Soprano |
Years active | 1949–2005 |
Awards |
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May Henrietta Abrahamse (6 May 1930 – 5 May 2025) was a South African soprano. She grew up during apartheid and was a prominent figure in the Eoan Group, a cultural organization that aimed to uplift Coloured people through the arts. Despite the restrictions and challenges imposed by the apartheid regime, she performed opera for marginalized communities in South Africa.
Life and career
[edit]Early life and education
[edit]Born on 6 May 1930 in District Six of Cape Town,[1] Abrahamse’s interest in singing began at a young age, when her access to formal training was limited. She sang in the Eoan Group's Youth Choir and was selected by conductor Joseph Manca to sing in the Adult Choir.[2] She began vocal studies with Billie Jones, a theatre producer, and later with Beatrice Gibson, neither of whom was formally recognized as a singing instructor. Later in life, she received vocal coaching from Olga Magnoni, an established opera singer, but was not able to access the conservatoire education available to white South Africans.[3]
Career
[edit]In 1949, Abrahamse debuted as a soprano soloist at age 19, in the Eoan Group's Cape Town production of the operetta A Slave in Araby,[2] composed by Alfred J Silver.[4] This marked the beginning of her association with the Eoan Group, with whom she would perform for decades. She participated as a soloist in productions of The Maid in the Mountains, Hong Kong, and Lehár's The Gipsy Princess, performed annually at Cape Town City Hall conducted by Joseph Manca.[5]
In 1956, she was first cast as Violetta in Verdi's opera La Traviata, a role she would perform multiple times until the Eoan Group's final production of the opera in 1975.[3] This was the first Italian opera performed in its original language by an all-Coloured cast. It became one of Abrahamse's signature roles, and her portrayal received critical acclaim.[2]
Other roles Abrahamse performed with the Eoan Group include Mimì in Puccini's La Bohème, Santuzza in Mascagni's Cavalleria rusticana, and the title role in Puccini's Madama Butterfly. Beyond opera her work included performances of Verdi's Requiem and Handel's Messiah, as well as roles in musical theatre, including Carmen Jones, an adaptation of Bizet's Carmen.[5]
In 1979, Abrahamse and Gordon Jephtas gave a recital at the Nico Malan Theatre in Cape Town, a venue that had only recently opened its doors to performers and audiences of all races. The recital was praised and marked an important moment in South African classical music.[6] In the 1987 and 1988 seasons, aged 57, Abrahamse was given the opportunity to sing professionally alongside white singers, when she accepted a two-year contract as a chorus member with the Performing Arts Council of the Orange Free State in Bloemfontein.[7]
Later in her career, Abrahamse’s contributions to South African music were recognised. In 2005, she received the Cape Tercentenary Foundation Award for her "distinguished contribution to the Fine and Performing Arts".[8] She was awarded the KykNET Lifetime Achievement Award in 2013.[9]
Personal life
[edit]In 1956, Abrahamse married John Rushin, but continued to perform under her maiden name. Abrahamse and Rushin had two daughters. Between 1968 and 1972, she and her family relocated to Durban, but she returned to Cape Town occasionally to perform, notably in 1971, when she sang Nedda in Leoncavallo's Pagliacci.[10] She sang the role of Annina in a production of La Traviata at the Joseph Stone Theatre in Athlone in 2004, at age 73.[3]
Gordon Jephtas, an opera coach and conductor, shared a long-lasting professional relationship with Abrahamse. Jephtas recognised Abrahamse's potential early in her career, and their collaboration spanned nearly three decades, often maintained through letters and tape recordings, as Jephtas spent much of his career abroad. He coached her on pronunciation, character interpretation, and musical nuances.[11]
Abrahamse died on 5 May 2025, a day before her 95th birthday.[12]
References
[edit]- ^ Roos 2023, p. 6.
- ^ a b c "Getting on with the show". Independent Online. 2004.
- ^ a b c Eoan – Our Story. Johannesburg: Fourthwall Books. 2013.
- ^ "Slave in Araby". The Dubbo Liberal and Macquarie Advocate. 1 October 1932.
- ^ a b Roos, Hilde (October 2018). The La Traviata Affair: Opera in the Time of Apartheid. California University Press. ISBN 978-0-52-029989-4.
- ^ Silvestri, Antoinette (1979). "Most dramatic recital at Nico", in the "Tonight", The Cape Argus, 5 March 1979.
- ^ Vosloo, Lisba. (2016) May Abrahamse. Documentary film, commissioned by kykNET.
- ^ "Cape Tercentenary Foundation Archives - Awards". Cape Tercentenary Foundation. 2025.
- ^ "kykNET Fiëstas 2013 celebrates top Afrikaans theatre". Bizcommunity. 25 March 2013. Retrieved 7 May 2025.
- ^ Roos 2023, p. 7.
- ^ Roos 2023.
- ^ Pople, Laetitia. "Hldeblyk: May Abrahamse (1930–2025)". Netwerk24 (in Afrikaans). Retrieved 6 May 2025.
Sources
[edit]- Roos, Hilde (2023). Davids, Féroll-Jon; Walton, Chris (eds.). "Sorry. I Am What I Am." The Life and Letters of the South African Pianist and Opera Coach Gordon Jephtas (1943–92) (PDF). Basel: Basler Afrika Bibliografien. ISBN 978-3-906927-58-9.
External links
[edit]- Rushin, Trudy: Documentary film on my mom, May Abrahamse alwaysrushin.blogspot.com 3 May 2016