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Thunderbolts* review: A dark but uplifting superhero blockbuster
Marvel Studios' Thunderbolts* shines amongst many other superhero films with its dark, emotional story, outstanding performances, and compelling characters.
Wolf Man review: Woof!
Leigh Whannell follows his thrilling Invisible Man with a curiously dull, murky, and undercooked Wolf Man, in theaters now.
American Primeval review: a bloody Netflix Western full of wasted potential
Netflix's American Primeval is a promising but ultimately clichéd and unsatisfying Western miniseries.
Wallace & Gromit: Vengeance Most Fowl review: a joyful start to 2025
Wallace & Gromit: Vengeance Most Fowl proves that the 35-year-old franchise hasn't yet lost its cheerful, hilarious touch.
A Complete Unknown review: a crowd-pleasing, safe music biopic
A Complete Unknown is a crowd-pleasing, if superficial, Bob Dylan biopic.
Nosferatu review: A lush, lusty new take on Dracula
The director of The Witch and The Northman returns with a remake of the horror classic Nosferatu that's best at its kinkiest.
The Brutalist review: an awe-inspiring epic that’s one of 2024’s best movies
The Brutalist is a beguiling, awe-inspiring epic that feels like it could have been made 50 years ago. It's one of 2024's best films.
Sonic the Hedgehog 3 review: a dark, electrifying sequel
Paramount has reached an electrifying new high with Sonic the Hedgehog 3, which features incredible visuals, an emotional story, and terrific performances.
The Lord of the Rings: The War of the Rohirrim review: a slight prequel
The Lord of the Rings: The War of the Rohirrim is a slight, surprisingly flat prequel that will likely only win over die-hard Tolkien fans.
Carry-On review: Netflix’s B-movie Die Hard offers plenty of Christmas action thrills
Netflix's Carry-On is a propulsive and immensely fun new Christmas thriller.
Kraven the Hunter review: a suitably awful farewell to Sony’s Spider-Verse
Aaron Taylor-Johnson is a muscular bore in the latest and maybe last entry in Sony's misbegotten franchise of Spider-Man movies without Spider-Man.
The Order review: a gripping true-crime thriller that will unsettle you
The Order is a gripping, haunting, and unfortunately necessary true-crime thriller.
Creature Commandos review: an encouraging start for the DCU
James Gunn's Creature Commandos gets the DC Universe off to a colorful, encouraging start.
Star Wars: Skeleton Crew review: a wondrous space pirate adventure
Skeleton Crew may just be the exciting, fun new Star Wars adventure that fans have been waiting for.
Blitz review: this riveting World War II movie is one of the year’s best
Apple TV+'s Blitz is a can't-miss war drama — and already one of the most underrated movies of the year.
Gladiator II review: Paul Mescal is no Russell Crowe in Ridley Scott’s disappointing sequel
Without original star Russell Crowe, Gladiator II, Ridley Scott's belated sequel to his Oscar-winning 2000 epic, falls short in just about every way.
Landman review: Like Yellowstone, but with more oil and less promise
Taylor Sheridan's Landman has a lot of potential, but it's too unrefined to stand out. The oil drama's first two episodes are streaming now on Paramount+.
Dune: Prophecy review: a lifeless spin-off of a great sci-fi franchise
Dune: Prophecy is a lifeless spin-off that falls short of the cinematic majesty of its sister films. The series premieres Sunday, November 17 on HBO.
Red One review: a spectacular holiday misfire
Red One is the latest addition to The Rock's current, unfortunate streak of disappointing blockbusters. The Christmas-themed action movie is now playing.
Silo season 2 review: one of the best sci-fi shows on right now gets even better
Silo returns this week with a second season that is just as addictive and watchable as the Apple TV+ sci-fi drama's first.
Arcane season 2 review: an awe-inspiring, unwieldy finale
Netflix's Arcane returns this week bigger, bolder, and more ambitious than before. The first three episodes of Arcane season 2 are streaming now.
Heretic review: a must-see thriller with a killer lead performance
Heretic keeps your heart rate up and your eyes glued to the screen for all of its 111 minutes. The Hugh Grant-led thriller is now playing in theaters.
Juror #2 review: Clint Eastwood’s best movie in years. It’s a shame you probably can’t see it
Whether it's his last movie or not, Juror #2 is a perverse spin on 12 Angry Men that ranks among the strongest of director Clint Eastwood's late-career efforts.
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